Submissions from 2022
One on Top of the Other, Larry Dean
Reboot: The Tonight Show Starring Johnny Carson, Larry Dean
Reboot: The X-Files, Larry Dean
Submissions from 2021
A Man to Laugh, Larry Dean
Africanity, litigation aesthetics, and openness to being, Chielozona Eze
Justice as a spiritual quest, Chielozona Eze
Nation, narration, and race: william faulkner and the discursive limits of the southern condition, Kristen Lee Over
Submissions from 2019
The aesthetics of proximity and the common good, Chielozona Eze
Queer as folk, Donald Hoffman
Make America Bleed Again: The Violent Geography of Rodgers and Hammerstein’s 'Oklahoma!', Ryan Poll
Submissions from 2018
Intersectional pedagogies of queer literature: Teaching randall kenan’s a visitation of spirits, Timothy Barnett
Interdependence and interlingualism in Santiago Puglia's El desengaño del hombre (1794), Emily García
Can One "Get Out?" The Aesthetics of Afro-Pessimism, Ryan Poll
Neoliberal Heroes: Clint Eastwood's Sully and the Haunting of History, Ryan Poll
Submissions from 2017
Eluding the Authorities: Tom Waits in Postmodern Context, Timothy Scherman
Submissions from 2016
Negotiating rich response networks and textual ownership in dissertation writing, Marcia Buell
Negotiating rich response networks and textual ownership in dissertation writing, Marcia Buell
We, Afropolitans, Chielozona Eze
Brickdale's Idylls re-viewed, Donald Hoffman and Debra N. Mancoff
Dis-Alienating the Neighborhood: The Representation of Work and Community in "Mister Rogers' Neighborhood", Timothy R. Libretti
A Proletarian Book of Laughter and Remembering: Carlos Bulosan’s "The Power of the People" and the Inter/National Class Struggle, Timothy R. Libretti
Bedazzled, Christine A. Simokaitis
Submissions from 2014
'A Question of Meum and Tuum': The Civilization of the Commodity and the Maintenance of Inequality in Charles Chesnutt’s "The Conjure Woman" and "The Marrow of Tradition", Timothy R. Libretti
Beyond the Innocence of Globalization: The Abiding Necessity of Carlos Bulosan's Anti-Imperialist Imagination, Timothy R. Libretti
'Verticality is such a risky enterprise': Class Epistemologies and the Critique of Upward Mobility in Colson Whitehead’s "The Intuitisionist”, Timothy R. Libretti
Oakes Smith Returns to Maine, Timothy Scherman
Submissions from 2013
A Rest, Christine A. Simokaitis
(A)Vocation, Christine A. Simokaitis
Cardiac Arrest, Christine A. Simokaitis
Christmas Wishes, Christine A. Simokaitis
St. Philomena, Christine A. Simokaitis
The Beginning of the End, Christine A. Simokaitis
Submissions from 2012
Working the Case: "The Wire" and Working-Class Cops on American Television, Timothy R. Libretti
Main Street and Empire: The Fictional Small Town in the Age of Globalization, Ryan Poll
The Boss and the Workers: Bruce Springsteen as Blue-Collar Icon, Ryan Poll
Submissions from 2011
Chandra Talpade Mohanty, Timothy R. Libretti
Herbert Marcuse, Timothy R. Libretti
Multiculturalism and Cultural Studies, Timothy R. Libretti
Proletarian Literature, Timothy R. Libretti
Submissions from 2009
"A Broader and Wiser Revolution": Refiguring Chicano Nationalist Politics in Latin American Consciousness in Post-Movement Chicana/o Literature, Timothy R. Libretti
Submissions from 2008
The Zapatista Unconscious: Connecting Chicana/o and Indigenous Consciousness in Graciela Limón’s "Erased Faces", Timothy R. Libretti
Weaning, Christine A. Simokaitis
Submissions from 2006
Carlos Bulosan’s Songs of Innocence and Experience: From Utopian Americanism and Internationalism to Filipino Nationalist Politics and Culture, Timothy R. Libretti
Integration as Disintegration: Remembering the Civil Rights Movement as a Struggle forSelf-Determination in John Sayles’s "Sunshine State", Timothy R. Libretti
Catalog of Dreams, Christine A. Simokaitis
Submissions from 2005
Cultural Studies, Timothy R. Libretti
Detecting Empire from Inside Out and Outside In: A Comparative Study of the Detective Fiction of Lucha Corpi and Elizabeth George, Timothy R. Libretti
E. San Juan, Jr., Timothy R. Libretti
Modernism and Politics, Timothy R. Libretti
William Attaway, Timothy R. Libretti
Submissions from 2004
Dispossession and Disalienation: The Fulfillment of Life in Ursula LeGuin’s "The Dispossessed", Timothy R. Libretti
Sexual Outlaws and Class Consciousness: Rethinking History and Class Consciousness from a Queer Perspective, Timothy R. Libretti
Submissions from 2002
Against Premature Internationalism: Reasserting the Necessity of Nationalism for Socialist Liberation in the Age of Post-Theory, Timothy R. Libretti
Submissions from 2001
"America is in the Heart", by Carlos Bulosan, Timothy R. Libretti
The Other Proletarians: Native American Literature and Class Struggle, Timothy R. Libretti
Submissions from 2000
History and Queer Consciousness: The Dialectics of Gay Identity in U.S. Literature, Timothy R. Libretti
Looking Backward, Looking Forward: Jesus Colon’s Left Literary Legacy and the Adumbration of a Third World Writing, Timothy R. Libretti
Submissions from 1999
Leaping Over the Color Line: Postethnic Ideology and the Evasion of Racial Oppression, Timothy R. Libretti
Lucha Corpi and the Politics of Detective Fiction, Timothy R. Libretti
Rethinking Chicana/o Identity, Politics, and Nationalism in the Fiction of Alejandro Morales, Timothy R. Libretti
Submissions from 1998
Beyond False Promises: K. B. Gilden's "Between the Hills and the Sea" and the Rethinking of Working-Class Culture, Consciousness, and Activism, Timothy R. Libretti
First and Third Worlds in U.S. Literature: Rethinking Carlos Bulosan, Timothy R. Libretti
Rethinking Class from a Chicana Perspective: Identity and Otherness in Chicana Literature and Theory, Timothy R. Libretti
Submissions from 1997
Asian American Cultural Resistance, Timothy R. Libretti
Forgetting Identity, Recovering Politics: Rethinking Chicana/o Nationalism, Identity Politics, and Resistance to Racism in Alejandro Morales's "Death of an Anglo", Timothy R. Libretti
Rediscovering Nation, Resisting Racial Oppression: The Aesthetics of ‘Putting Up’ in U.S. Third World Writing, Timothy R. Libretti
Writing Across and Within Borders: The Representation of Imperialism and the Defense of Nationalism in U.S. Third World Writing, Timothy R. Libretti
Submissions from 1996
'We Can Starve Too': Americo Paredes’ "George Washington Gomez" and the Proletarian "Corrido", Timothy R. Libretti
Submissions from 1995
Is There a Working Class in U.S. Literature?: Race, Gender, and the Proletarian Tradition, Timothy R. Libretti
’What a Dirty Way of Getting Clean’: The Grotesque in U.S. Proletarian Literature, Timothy R. Libretti